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Results 1 through 20 of 26 items found...

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Acoustic
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Artist Title Format / Price Label Year

ZYDECO FLAMES
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FIRE DANCE
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CD: $10.00 (US) - NEW
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GLOBE RECORDS
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2013
new orleans, zydeco, cajun, R&B, blues: The Zydeco Flames have gained the reputation as the West Coast's premiere Zydeco band. Their sizzling roots rhythms are timeless and the execution is relentless, with a stunningly powerful groove and playlist that includes originals and select covers in the genres of Zydeco, Cajun, New Orleans R&B, Rock and Swamp-Pop. This, the Flames' seventh CD release, "Fire Dance", showcases the recent live club performance in Berkeley, California that provides fans with hot Zydeco music they've come to expect from the Flames, in the tradition of the great masters like Clifton Chenier, Buckwheat Zydeco, and Queen Ida. Featuring the soulful, steamy style of classically-trained singer/rubboardist/harpist Lloyd Meadows, the cajun & piano accordion and keyboards of Bruce Gordon (noted California performer who played on Ramblin' Jack Elliot's Grammy-nominated album), guitarist Frank Bohan with musical roots deep in Chicago blues (worked with Johnny Copeland, Alvin "Youngblood" Hart, Ricardo Scales, and Johnny Nitro), and the tight & funky rhythm section of bassist Tim Walker (worked with J.J. Malone, Sista Monica, Bobby Murray, Andre Thierry and The Elvin Bishop Band) and drummer William Allums, with deep roots in gospel music, hip-hop, funk and R&B.

JOHNNY "V" VERNAZZA
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LIONS AND THIEVES
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AT THE BEACH RECORDS
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2013
blues: Best known for his work with the Elvin Bishop Band in the 1970's, including the 1976 #4 hit, "Fooled Around and Fell in Love," Vernazza has played guitar with some of the biggest names in music, from Van Morrison to the Grateful Dead. Vernazza has spent decades on stages big and small around the world, honing his craft and this album is the culmination of that experience. Now more than a decade in to his solo career, his new album, Lions and Thieves, delivers on the promise of a lifetime in music. Ably backed by bassist Jim Reeves, drummer Brian Cantrell and keyboardist Mark Bentley, the album's 14 tracks cover a lot of ground. Indeed, Vernazza may be considered to be one of the finest blues and slide guitar players going today,but his sound is expansive. As detailed his blues varies, from the sweet soul edge of "Open The Door" to high octane rocker "Jungle," the latter a sure fire single surely destined to be much covered in the future. While the albums core group are all seasoned veterans, Vernazza also called in a few friends to help in the albums creation, with Elvin Bishop, Charlie Daniels and Albert Lee all contributing to Lions and Thieves. Long time fans will love every second of Lions and Thieves, but anyone who enjoys great blues and rock will need a copy of this album in their collection

GATOR BEAT
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STOMPIN' AT THE BAL DE MAISON
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GLOBE RECORDS
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2012
new orleans, zydeco, cajun: Stompin' at the Bal De Maison evolved from a story from Louisiana of house parties where so many folks showed up to dance, the floor broke and they spent Sunday repairing it. This CD is that party, coming at you with relentless grooves designed to keep you stompin' in your own house or nearest dance hall, with new originals, classic Cajun, hard core Zydeco, New Orleans R&B, blues ballads and a French waltz. Gator Beat not only covers the State of Louisiana, they infuse their own feel, call it Rock, call it Pop, call it Gator Beat Stompin' with 3 lead singers: soul crooner Willard Blackwell, David Scott, giving it some rough and ready, and Susie Davis, singer/songwriter extraordinaire, adding her sometimes gutsy, sometimes sweet, but always rich and powerful. Horn section, fiddle, & button box, added to the regular line up of drums, bass, guitar, accordion, sax, rubboard, piano, and penny whistle with carefully crafted harmonies.

JOE SULLIVAN
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PIANIST EXTRAORDINAIRE
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CD: $16.25 (US) - NEW
($14.62 with *discount)
VINTAGE MUSIC
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2009
BIG BAND, SWING, TRAD JAZZ : [1940-1955/1963] By October 1939, Joe Sullivan was leading his own band, at Cafe Society, in New York. Sometime after April 1940, he played at Nick's and began a residency at the Famous Door, which lasted until June 1941. Soon afterward, he returned to Cafe Society with a trio and remained there, until 1942. During this same period, he made numerous recordings with his own bands. He also participated in Eddie Condon's "Town Hall" broadcasts and played on several of Condon's Commodore sessions. In the spring of 1943, Sullivan was back in Los Angeles, where he led a band at the Swanee Inn. In 1945, he was featured in a duo with Meade Lux Lewis, at Chicago's Sherman Hotel. In 1951, Joe Sullivan performed on a "Voices of America" broadcast and began touring with Louis Armstrong and His All Stars. In 1952, he participated in several "Doctor Jazz" broadcasts over WMGM. Then, in August 1952, he played his first engagement at Club Hangover, in San Francisco where he settled permanently. (Collective Personnel: Eddie Anderson, Benny Morton, Edmond Hall, Danny Polo, Freddy Green, Henry Turner, Johnny Wells, Billy Taylor Sr., Yank Porter, Pee Wee Russell, Sutty Singleton, Max Kaminsky, Miff Mole, Jack Lesberg, Cutty Cutshall, Jeff Morgan)

VARIOUS ARTISTS
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BAND THEME SONGS RARE AND FAMOUS
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CD: $14.25 (US) - NEW
($12.83 with *discount)
VINTAGE MUSIC
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2008
BIG BAND, SWING, TRAD JAZZ : [1929-1947] Although it is necessary in any collection of theme songs to include those tunes that immediately come to mind such as Benny Goodman, Glenn Miller, etc. we have attempted to include many bands that the casual listener may not recall. Of course the serious collectors of this type of music will know most of these bands. Although, even the serious collector might find the Johnny McGee theme with his excellent trumpet work new to them. Regarding Johnny McGee & His Orchestra, he made thirty two recordings for the Varsity label between February and June of 1940 yet, the Rust discography of American Dance Bands does not mention the band. Lords Discography does show two tune which are probably considered the bands' jazz sides. There is no question this was a quality band. While the Larry Clinton theme Dipsy Doodle, is well known, it is interesting to know that he never recorded the tune, and the broadcast version included here with vocal by Bea Wain, is the only time she ever sang this tune. Ben Pollack's theme, Song of the Islands, heard here, with the superb clarinet solo by Irving Fazola, is actually the recording that first brought the name of Fazola to prominence. Prior to that he was known almost exclusively in the New Orleans area. If you give a close listen the superb style of Fazola, it is easy to hear why he was the major influence on the musician Pete Fountain. One can almost hear Fazola on some of Fountain's popular recordings. Much has been said and written about how Benny Goodman as a leader in breaking down racial barriers in the music business and all of these are legitimate, but we should not forget other white band leaders who even before Goodman were also making giant strides to break the racial barriers. For example, give a listen to the Leo Reichman band theme. This white band chose a superb black trumpet player by the name of Bubber Miley who was feature soloist on many of the bands best recordings. Willie Bryant was not a musician although as a boy attempted to learn the trumpet. He was however, an accomplished dancer and vocalist in addition to being intelligent, witty and debonair. Although not a musician, he formed a band in 1934 for an engagement at the Savoy Ballroom in Harlem. On his theme heard here, listen for the Teddy Wilson piano and Cozy Cole choke that cymbal.(Artists: a- Van Alexander; b- Don Bestor; c- Will Bradley; d- Willie Bryant' e- Billy Butterfield; f- Bob Chester; g- Larry Clinton; h- Jack Denny; i- Benny Goodman; j- Jerry Gray; k- Mal Hallett; l- Woody Herman; m- Ina Ray Hutton Melodears; n- Isham Jonesl o- Dick Jurgens; p- Hal Kemp; q- Andy Kirk; r- Bert Lown; s- Johnny McGee; t- Glenn Miller; u- Russ Morgan; v- Ben Pollack; w- Joe Reichman; x- Leo Reichman; y- Artie Shaw; z- Chick Webb)

SYLVESTER AHOLA
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RARE AND PERSONAL
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CD: $14.25 (US) - NEW
($12.83 with *discount)
VINTAGE MUSIC
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2007
BIG BAND, SWING, TRAD JAZZ : [1924-1931] Sylvester Ahola- Trumpet, Mellophone, Drums. Material from Sylvester Ahola's personal collection. Several sides never issued. Though discographies show only three tunes wiht the Frank E. Ward Orch. there were actually five tunes and all are included here. Much of the material here is from sides recorded in the U.S. while most of the previously released material by Ahola was recorded in England. (Groups: a- Frank E. Ward & His Orch.; b- Paul Specht & His Orch.; c- California Ramblers,; d- Van & His Hotel Half Moon Orch.; e- Bert Firman Orch.; f- Henry Hudson's Melody Men; g- Ambrose & His Orch.; h- Philip Lewis & His Dance Orch.; i- Sylvester Ahola; j- Spike Hughes & His Decca-Dents; k- Peter Van Steeden & His Orch.) (Collective Personnel: Charlie Spivak, Eddie Brown, Phil Wall, Al Philburn, Chelsea Quealey, Adrian Rollini, Jimmy Smithy, Dennis Radcliffe, Johnny Heifer, Bert Firman, George Melanchrino, Sid Phillips, Bill Busby, Annunzio Mantovani, Danny Polo, Ted Heath, Rudy Starita, Spike Hughes, Joe Crossman, more)

NAT SHILKRET AND THE ALL STAR ORCHESTRA
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MORE THAN SATISFIED (1926-1928)
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CD: $17.25 (US) - NEW
($15.53 with *discount)
VINTAGE MUSIC
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2005
BIG BAND, SWING, TRAD JAZZ : [1926-1928] The complete recordings of Nat Shilkret's All Star Orchestra. Featuring Benny Goodman, Tommy Dorsey, Glenn Miller and Jimmy McPartland. With Miff Mole, Joe Venuti, Carl Kress, Johnny Marvin and Chauncey Morehouse. In all, the All Star Orchestra made 18 recordings, from December 1927 to November 1929. Of these, 16 were released. While jazz enthusiasts will find much that is significant in these recordings, there are two which stand out above the others. These are the recordings of 'I'm More Than Satisfied' and 'Oh, Baby!' Both were recorded on March 21, 1928. The session was Benny Goodman's first, in New York. It was also the very first time that Benny Goodman recorded with Tommy Dorsey. At first glance, the band's name might appear to be just another case of over-used hyperbole. Except among those who were most acquainted with the band's members, this might have seemed the case, even in 1928 and 1929. But looking back, today, we know that Nat Shilkret kept the band true to its name. For it was, in fact, an All Star Orchestra. (Personnel: Benny Goodman, Tommy Dorsey, Glenn Miller, Jimmy McPartland, Miff Mole, Joe Venuti, Carl Kress, Johnny Marvin, Chauncey Morehouse).

S. E. WILLIS
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COLD HAND IN MINE
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CD: $10.00 (US) - NEW
($9.00 with *discount)
MR SUCHENSUCH
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2003
blues, rhythm & blues, New Orleans, americana: A musical slice of Americana that takes a listener from the hills of West Virginia to the bayous of Louisiana, the banks of the Ohio to the Mississippi Delta. S. E. Willis' third and finest release ranges from the title track's neo-Rockabilly to Jimmie Rodgers style blue country (When and If), swing (Chasin' a Train), swamp-pop (That's My Dream), blues (I'm Tired) and funky zydeco (Muddy Water, Think Twice, I'm Coming Home), with plenty of side trips between. Harmonica ace Norton Buffalo adds his talents to the unique "Poison Love." Mandolin hero Tom Rozum (Laurie Lewis and Grant Street) provides a bluegrass edge, and Johnny "V" Vernazza plays perhaps the best guitar of his career. "If Bill Monroe and Howlin' Wolf had ever played together it wouldn't sound like this, but that's got the idea, that's the aim." -S. E. Willis

PAUL SPECHT AND HIS ORCHESTRA
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RETRO-SPECHT
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CD: $17.25 (US) - NEW
($15.53 with *discount)
VINTAGE MUSIC
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2003
BIG BAND, SWING, TRAD JAZZ : [1925-1931] Heavily influenced by the new sound of jazz, Paul Specht became one of the most popular and innovative bandleaders of the 1920s. In addition to successfully pioneering the "band within a band" concept, he was the first to lead a dance band on broadcast radio. Features Artie Shaw, Larry Alpeter, Johnny Morris, Bob Chester, Sylvester Ahola, Roy Smeck, Arthur Schutt, Charlie Butterfield, Al Philburn, more. Tracks are from 1925-'31. (Collective Personnel: Artie Shaw, Larry Alpeter, Johnny Morris, Bob Chester, Sylvester Ahola, Roy Smeck, Arthur Schutt, Charlie Butterfield, Al Philburn, more).

S. E. WILLIS
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LUCKIEST MAN ALIVE
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CD: $10.00 (US) - NEW
($9.00 with *discount)
MERRIMACK RECORDS
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2002
blues, rhythm & blues, New Orleans,: S. E. Willis (piano, vocals and harmonica) delivers a sterling collection of original and classic blues and boogie. The CD is coproduced by Johnny "V" Vernazza and features guest appearances by blues guitarist Elvin Bishop and harp aces Charlie Musselwhite and Mark Hummel. "Luckiest Man Alive is a fine new CD. Every tune is a goodun! & I have enjoyed listening to it very much because there's some good blues happening here--that's for sure!" - Charlie Musselwhite. " ...a commanding singer and keyboardist who delivers classic and original material with conviction and authenticity." - Lee Hildebrand East Bay Express

CAROLINE DAHL
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NO HATS
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CD: $12.75 (US) - NEW
($11.47 with *discount)
GLOBE RECORDS
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2000
blues, rhythm & blues, americana: Originally from Louisville, Kentucky, where she worked with the Metropolitan Blues All Stars (June Appal Records, Taxim Records) the self-taught Caroline Dahl is a master pianist of the American roots styles of boogie-woogie, blues, vintage R&B, swing, country-swing, and roots R&R. On "No Hats," her mostly-original debut release, she is featured on acoustic grand piano and accordion with no other accompaniment than trap drums, featuring the best of S. F. Bay Area expert sticksmen: Jimmy Sanchez (Roy Rogers, Boz Skaggs, Rhythmtown-Jive), Kent Bryson (the Johnny Nocturne Band), John Hanes (Pearl Harbour & The Explosions, Paris Slim), and Bowen Brown (Swing Session, Indigo Swing, John Lee Hooker). Caroline Dahl, piano player for the driving American roots R&B group, Rhythmtown-Jive (Globe Records), has also worked many shows with Brenda Boykin, Jerry Shelfer, Those Darn Accordions!, The Lickettes (formerly with Dan Hicks), The Melotones, and The Rhythm Sheiks

NAT SHILKRET AND HIS VICTOR ORCHESTRA
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THE HOT DANCE SIDES 1926 TO 1930
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CD: $14.75 (US) - NEW
($13.28 with *discount)
SWING TIME
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2000
BIG BAND, SWING, TRAD JAZZ : [1925-1930] dance band arranger/leader Shilkret is featured on tracks from 1926-30, with vocals by Johnn Marvin, Jane Green & Scrappy Lambert. (Vocals: a- Jane Green; b- Johnny Marvin; c- Lewis James; d- Franklyn Baur; e- J. Marvin & F. Marvin; f- E. Shaw, W. Glenn; g- Scrappy Lambert; h- Don Howard; i- P. Dewey, F Luther, J. Parker; j- Frank Luther; k- Frank Munn)

DAVID LANDON
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CHASIN' THE BLUES
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CD: $10.00 (US) - NEW
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WHIP RECORDS
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1999
blues, rhythm & blues: A straight up blues album with favorites by B.B. King, Muddy Waters and Johnny "Guitar" Watson, a collection of very special performances chosen from numerous recording sessions that David has done over the past couple of years, comprised of mostly quartet recordings with guitar, bass, Hammond B3 and drums featuring bay area musicians: Parris Bertoluccl on keys and Ed Michaels on drums along with special guests. Original interpretations of classics like "Blue Suede Shoes" and Jimi Hendrix's "Voodoo Chile" are sure to surprise and delight the listener. There are also several original compositions on the record, including a couple of acoustic numbers.

ALEX BAUM
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INTERNATIONALLY OBSCURE
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CD: $10.00 (US) - NEW
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A B DISCS
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1999
jazz, world: Debut by Bassist for Johnny Nocturne and Dan Hicks with awild array of sounds and styles with a jazz focus. Featuring these fine musicians "not known everywhere" - Alex Baum: Basses, Percussion, Guitars, Keys, Koto, Etc.; Jonathon Alford: Piano Al Guzman: Congas, Percussion, Vocal; Vince Littleton: Drums, Percussion; Jack Dorsey: Brushes; Phil Thompson: Drums; Ray Scott: Guitars; Jeff Massanari: Guitars; Matt Eakle: Flutes; Shirley Muramoto: Koto; Martin Fierro: Sax; John Firmin: Sax

THE JOHNNY NOCTURNE BAND
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MILLION DOLLAR SECRET
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CD: $12.75 (US) - NEW
($11.47 with *discount)
BULL'S EYE BLUES
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1999
swing, jazz, blues, rhythm & blues: Long before the current swing revival, saxophonist John Firmin was shaping his Johnny Nocturne Band into the classiest, hardest-swinging outfit on the West Coast, "the creme de la creme of contemporary jump / swing bands," according to San Francisco Examiner critic Philip Elwood. Million Dollar Secret is the first Nocturne album to feature the vocals of Kim Nalley, who Elwood calls "the best band singer, any style, I've heard in years." Still in her mid-20s, Nalley evokes the spirit of such singers as Dinah Washington and Helen Humes. Here is timeless music that excites dancers and listeners alike: the hottest little-big-band jazz you're likely to hear. John Firmin, tenor sax, clarinet (11) and leader / Kim Nalley, vocals / Marty Wehner, trombone / Bill Ortiz, trumpet (all except 5) / Pete Sembler, trumpet (5) / Rob Sudduth, baritone sax / Henry Salvia, piano / Anthony Paule, guitar / Alex Baum, bass / Kent Bryson, drums / Tommy Kesecker, vibes (4, 5) and percussion (9).

SOLID AIR
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TAILGATES AND SUBSTITUTES
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CD: $10.00 (US) - NEW
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GLOBE RECORDS
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1999
country, rock, acoustic, americana, folk: Brand new release by this original roots-based Sonoma County alternative folk group. "A down-home meeting of British folk-rock duo Richard & Linda Thompson and The Flying Burrito Brothers". Traces of 10,000 Maniacs and Lucinda Williams. This San Francisco Bay Area-based Alt-folk group's new album digs deep into American Roots with a wide-open Sonoma County style on ten new original songs and two classics, Bob Dylan's "You Ain't Goin Nowhere" and Johnny Cash's "Get Rhythm." Using 12-strings, lap steels, harmonica and keyboards on top of a solid core of guitars and vocals, this release tips it's hat to Eddie Cochran ("Little Bird"), echoes the glory days of Gram Parsons ("Whistle of the Wheels") and brings back shades of The Beatles, Beau Brummels, and The Lovin Spoonful ("If You Took The Time," "In The Summertime"). The group has received critical acclaim, featured in Acoustic Guitar Magazine and Performing Songwriter Magazine. Solid Air has been performing together for over twelve years and were nominated for the "Wammies" S.F. Weekly's Alternative Music Awards. Their song "Postcard" was featured in Fast Folk Audio Magazine.

BRENDA BOYKIN & ERIC SWINDERMAN
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BOURBON & CORNBREAD
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CD: $10.00 (US) - NEW
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BONNIE BELL
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1997
blues, jazz: Brenda Boykin's first solo CD release since her departure from The Johnny Nocturne Band. On this recording Boykin is joined by jazz guitarist Eric Swinderman, and with this union the consumate duo is formed. Together they have produced a sixteen song CD of smooth blues and rough jazz. The Boykin & Swinderman arrangements of Stagger Lee and Polk Salad Annie are both imaginative and daring, and their 4/4 rendition of The Tennessee Waltz is nothing less than bold. Full of fun and surprises.

BRENDA BOYKIN & HOME COOKIN'
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HOME COOKIN'
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CD: $15.90 (US) - NEW
($14.31 with *discount)
BAT
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1997
blues, rhythm & blues: Great blues/R & B debut from S.F. Bay Area's hot new vocalist, formerly with Johnny Nocturne."The Queen of Afrobilly" with Anthony Paule, Tyler Eng, Tim Wagar. Special guests include Jimmy Pugh (Robert Cray/Chrisc Isaac).

GARY SMITH, PARIS SLIM, JOHNNY ACE, WALTER SHUFFLESWORTH
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MOUNTAIN TOP WEST COAST BLUES SESSION VOL. 1
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CD: $11.25 (US) - NEW
($10.12 with *discount)
GLOBE RECORDS
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1997
blues: Blues & Rhythm Magazine wrote, 'Mountain Top West Coast Blues Session' brings together four of the finest blues musicians working on the West Coast, for a CD that will be an essential purchase for all lovers of that genre.' This 15 track CD features Gary Smith on harmonica, Paris Slim on guitar, Johnny Ace on bass and Walter Shufflesworth on drums -- and all four share vocal parts. This CD was born during the filming of Johnny Ace's instructional video, 'Ace on Blus Bass'. Mountain Top had assembled the very best in Bay Area blues talent. As we filmed, we couldn't help tripping over the blues chemistry of these four -all band leaders in their own right. Original songs and covers by Screaming Jay Hawkins, John Lee Hooker, Jimmy Reed, Lowell Fulson, and Willie Dixon. HARP: Gary Smith, was in the original Charles Ford Band He also played with Charlie Musselwhite, Luther Tucker, Hi Tide Harris, Nick Gravenites, and Ron Thompson, and played on Sonny Rhodes' classic, 'I DON'T WANT MY BLUES COLORED BRIGHT'. GUITAR: Paris Slim heard the blues calling when he was 16 in Paris, France. He followed his vision to Oakland, earned permanent sideman honors in Troyce Key's notorious ELI'S MILE HIGH CLUB house hand, and worked with Lowell Fulson, Jimmy McCracklin, Big Mama Thornton, and Sonny Rhodes. Handy-nominated Paris Slim delivers a dynamic power on the guitar that is both "aesthetic" and 'in the alley' at the same time. BASS: JOHNNY ACE, from Queens, N.Y., began his career in 1966 in Manhattan's lower East side. He recorded with the Brooklyn Blues Busters and appeared with Victoria Spivey, toured with Charlie Musselwhite, John Lee Hooker and Otis Rush. DRUMS: Big Walter Shufflesworth's tours with Lightning Slim, Lightnin' Hopkins, and Big Walter Horton earned him his graduate degree in Blues Roadology. Walter is the driving force of the Dynatones, a household name on the Bay Area blues scene with six albums.

ANNIE SAMPSON
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UNDER THE MOON
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CD: $11 (US) - NEW
($9.90 with *discount)
SWEET POTATOE
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1996
blues, rock, rhythm & blues: Captures the salt and savor of her rich voice and warm presence. Backed by friends such as Elvin Bishop & Phil Aaberg, Annie sculpts her own and others' blues into instant classics. Under the Moon captures Annie's definite style - with the love of music in every note. Formerly lead singer for San Francisco rock band Stoneground. Produced by Johnny "V" Vernazza, who performs on it, & Pete Carlson. Also performing: David Savage, Steve Hazlewood, Gary James, Sal Aguilera, Tom Fugelstad, Tim Eschliman, Tyler Eng and Mike Rinta


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