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ArtistTitleFormat LabelDate

DAWKINS' NEW HORIZON ENSEMBLE, ERNEST
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JO'BURG JUMP
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CD: $15.98 (US) - ($14.38 with *discount) DELMARK
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11/14/2000
JAZZ: Even though Dawkins is the chairman of the AACM & uses "avant garde" to describe his music, his ensemble always remains accessible yet vital; it's a suprise that this is their first U.S. release, as they have been together for more than a decade & are regarded as one of Chicago's finest - the album is titled after the enthusiastic response from the audience in Johannesburg, South Africa & Mozambique

DAWKINS' NEW HORIZON ENSEMBLE, ERNEST
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CAPETOWN SHUFFLE - LIVE AT HOTHOUSE
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2/25/2003
JAZZ: An inspired soulfulness dominates the four extended compostions that make up this album, the second Delmark release by saxophonist Ernest Dawkins' New Horizons Ensemble. Recorded in Chicago in August of 2002, "Capetown Shuffle" celebrates numerous facets of the African American experience, from the gritty blues and AACM adventurousness of South Side Chicago, to joyful New Orleans marches, to the ancient ancestral grooves of South Africa. It was a special challenge to perform live all new compositions never played before an audience. The awesome results show why NHE shows are unique and flow unlike any other band.

DAWKINS' NEW HORIZON ENSEMBLE, ERNEST
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MEAN AMEEN
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9/21/2004
JAZZ: NHE's third Delmark CD is a tribute to trumpeter Ameen Muhammad who made his transition on Feb. 28th, 2003, not long after the release of "Capetown Shuffle - Live At The HotHouse" (DMK #545). "Last summer, Dawkins--a brilliant Chicago saxophonist-bandleader-composer--and his NHE ignited the incendiary music on this CD before a live audience at HotHouse" - Top Ten best jazz recordings of 2003 - Howard Reich, Chicago Tribune. Trumpeter Maurice Brown made his recorded debut last year on Fred Anderson's "Back At The Velvet Lounge" (DMK #549). Charles Walker of Sudden Thoughts commented that "...the veteran has found himself an uncannily interactive front-line foil in Brown."

DAWKINS' NEW HORIZON ENSEMBLE, ERNEST
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LIVE AT THE VELVET LOUNGE
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6/20/2006
JAZZ: AACM saxophonist, composer and bandleader Ernest Dawkins brought his NHE into the Velvet Lounge on July 14, 2005 for this live CD knowing it would be one of the groups' last performances at the historic "old" Velvet Lounge. The club is now closed (the last night was April 1, 2006), though the new location is supposed to be open in May. Trumpeter Maurice Brown has been gaining critical acclaim and popularity in the last two years, as he's been working with Dawkins whenever possible since relocating to New Orleans. For his return to Chicago for this gig, he's joined by Steve Berry on trombone, Darius Savage on bass and Isaiah Spencer on drums.

DAWKINS' NEW HORIZON ENSEMBLE, ERNEST
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THE PRAIRIE PROPHET
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1/18/2011
JAZZ: In 1978 Ernest Dawkins formed New Horizons Ensemble, a group which today continues to create a sound that showcases their unique combination of jazz, bebop, swing, and avant garde. The Chicago Tribune describes them as "a band with an uncommon versatility that erupts into new music bursts of dissonance and color. This band can enlighten an audience while enthralling it." The Prairie Prophet is NHE's fifth Delmark CD and features Ernest Dawkins, saxophone; Steve Berry, trombone; Marquis Hill, trumpet, Jeff Parker, guitar; Junius Paul, bass; Isaiah Spencer, drums. Contains all new original Ernest Dawkins compositions. This CD is dedicated to Fred Anderson.

DAWKINS' NEW HORIZON ENSEMBLE, ERNEST
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LIVE AT THE VELVET LOUNGE
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6/20/2006
JAZZ: AACM saxophonist, composer and bandleader Ernest Dawkins brought his NHE into the Velvet Lounge on July 14, 2005 for this live CD knowing it would be one of the groups' last performances at the historic "old" Velvet Lounge. The club is now closed (the last night was April 1, 2006), though the new location is supposed to be open in May. Trumpeter Maurice Brown has been gaining critical acclaim and popularity in the last two years, as he's been working with Dawkins whenever possible since relocating to New Orleans. For his return to Chicago for this gig, he's joined by Steve Berry on trombone, Darius Savage on bass and Isaiah Spencer on drums. NTSC all region.

DAWKINS, ERNEST
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AFRO STRAIGHT
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10/16/2012
JAZZ: After five Delmark albums with his New Horizons Ensemble and three as co-leader of the Ethnic Heritage Ensemble, saxophonist, composer, arranger Ernest Dawkins leads this brand new, specially chosen group for a program of straight ahead jazz featuring African, Afro-Latin and African-American percussion. The personnel is Ernest Dawkins, alto, tenor saxophone; Corey Wilkes, trumpet; Willerm Delisfort, piano; Junius Paul, bass; Isaiah Spencer, drums; Ruben Alvarez, congas, bongos, chimes, shaker; Greg Carmouche, Greg Penn, congas; and on the intimate ballad rendition of "God Bless The Child" Ben Paterson on Hammond B3 organ.

TUBB, ERNEST
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WALTZ ACROSS TEXAS
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CX: $119.98 (US) - ($107.98 with *discount) BEAR FAMILY
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11/27/1998
COUNTRY & WESTERN: (6-CD set) With a book chronicles his musical output on Decca from 1961-66, including the classic album "Ernest Tubb Presents The Texas Troubadour", as well as early duets w. Loretta Lynn, complete albums from this entire period, 42 never before issued performances & many, many more treats.

TUBB, ERNEST
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THIRTY DAYS - GONNA SHAKE THIS SHACK TONIGHT
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CD: $18.98 (US) - ($17.08 with *discount) BEAR FAMILY
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7/17/2007
COUNTRY & WESTERN: A fresh slant on the king and originator of honky tonk music, a full CD of his up-tempo recordings, including era-defining hits like Walking The Floor Over You, You Nearly Lose Your Mind, and Drivin' Nails In My Coffin. The next best thing to a night at a Texas honky tonk circa 1950 minus the guns and cigarette smoke. These recordings ooze character and believability. Tubb's voice wavers off-key here and there, but the gritty realism and human warmth more than compensate. Ernest Tubb made records that could only be Ernest Tubb records. The contrast with the cookie-cutter similarity and artificial perfection of today's country music could not be more obvious. Includes a 32-page booklet.

TUBB, ERNEST
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THE ERNEST TUBB SHOWS - WALKING THE FLOOR OVER YOU PART 1
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DV: $23.98 (US) - ($21.58 with *discount) BEAR FAMILY
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12/7/2012
COUNTRY & WESTERN: A priceless look at the golden age of country music on TV! Each disc features four full-color episodes from the years 62-64-67-82, all taken from the original video masters! Features pre-outlaw Willie Nelson! Outstanding instrumentals from the Texas Troubadours featuring the great Leon Rhodes on lead guitar! Great solo performances from Jack Greene and Cal Smith, backed by the Texas Troubadours! NTSC all region, color, 4:3, mono, 101 minutes.

ANSERMET, ERNEST
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STRAVINSKY - THE FIREBIRD (180 GRAM)
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LP: $44.98 (US) - ($40.48 with *discount) SPEAKERS CORNER RECORDS
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9/6/2013
CLASSICAL: Ernest Ansermet's long friendship with Igor Stravinsky enabled him to witness the birth of some of the composer's most important creations. This proved to be of incalculable worth in his interpretation of the works he premiered for Stravinsksy. Here Ansermet directs the OSR in a performance of Stravinsky's The Firebird. It is the composer's first major ballet, brought him world fame and continues to gain in popularity to this day. The story - which combines the motifs of several Russian fairy tales with a magic Firebird, a vanishing castle, an evil magician, and a hero who saves the maiden - inspired Stravinsky to write some of his most fascinating and mysterious music. The OSR is fully equal to its fine reputation. Ernest Ansermet's competence as an interpreter is evident throughout. Acoustically, this pressing offers advantages over the original. Here the orchestra resonates with a full, natural and mellow sound that blossoms into a veritable garden of tonality extending around and behind the loudspeakers. This new edition of Stravinsky's The Firebird is a true stereophonic delight.." Recording date and venue: May 1955 at Victoria Hall, Geneva by Roy Wallace / Production: James Walker." Stravinsky: "The Firebird" - Orchestre de la Suisse Romande conducted by Ernest Ansermet." standard sleeve

ANSERMET, ERNEST
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RAVEL - MA MERE LOYE / DEBUSSY: NOCTURNES (180 GRAM)
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9/6/2013
CLASSICAL: Ravel's ballet music Ma MŐre l'Oye, originally written for piano, four hands, was inspired by Charles Perrault's fairy tale. Ravel mostly wrote music for small forms which is reflected by the short movements of the suite. The world renowned Orchestre de la Suisse Romande, led by the conductor best suited to this kind of music, Ernest Ansermet, bring out the vivacious and colourful elements of the work. The orchestra's timbre is well suited to the gentle shading of the music, as is shown in the final Jardin féerique. Completed by Debussy in 1899, the three Nocturnes reveal the aesthetics of a composer who put Nature above Art. Debussy endeavoured to achieve a natural flow and consistency in his music without slavishly copying the sounds of nature. Although Nuages (Clouds), Fłtes (Festivals) and SirŐnes (Sirents) are night pieces, they are seen with a view to light and shadow: two optic conditions that influence the music. The artists give an amazingly transparent and differentiated performance of the music. The present recording should not be missed by any lover of Impressionist music.." Recording: November 1957 at Victoria Hall, Geneva by Roy Wallace / Production: James Walker." Ravel: "Ma MŐre l'Oye" / Debussy: Nocturnes: "Nuages", "Fłtes" and "SirŐnes" - Orchestre de la Suisse Romande conducted by Ernest Ansermet." standard sleeve

ANSERMET, ERNEST
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TCHAIKOVSKY - THE NUTCRACKER (180 GRAM)
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9/6/2013
CLASSICAL: When the evenings grow longer, the autumn leaves begin to fall and Jack Frost calls during the night, then it is time to conjure up the magic world of Tchaikovsky's Nutcracker while relaxing in front of a crackling fire. In this double album you will hear the delightfully varied ballet music in its entirety and not just the usual highlights. Each and every one of the highly individual numbers, be it a dance, a march or a waltz, is enchanting with its ever varying orchestral colouring, here merry and impudent and tripping along lightly without a care in the world, there sturdy and vigourous, even coarse. The Orchestre de la Suisse Romande, led by its conductor of many years standing, Ernest Ansermet, is very much at home in Russian repertoire and masters the occasional immense difficulties of the score with bravado. The DECCA team has once again proved its worth and leaves any nuts which still need to be cracked to the hi-fi equipment - the airy strings, the delicate triangles, the thrill of cymbals clashing, and the wooden clack of the castanets. And if, by an amazing coincidence, the heating should fail when you are listening to this record, there is no reason to worry - this music is guaranteed to warm the cockels of your heart and keep Jack Frost from the door.." Recording: October / November 1958 at Victoria Hall, Geneva by Roy Wallace / Production: James Walker." Tchaikovsky: "The Nutcracker" - Orchestre de la Suisse Romande conducted by Ernest Ansermet." gatefold sleeve, booklet

ANSERMET, ERNEST
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ALBENIZ - IBERIA / TURINA: DANZAS FANTASTICAS (180 GRAM)
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9/6/2013
CLASSICAL: As in numerous other works by Spanish composers, Isaac Albéniz's aim in his Iberia Suite was to portray the landscape and express the zest for life which is so abundant in southern countries. Infused with folkmusic elements, the suite is introduced by the dancelike Evocación which vividly evokes a picture of Iberia. The lush, extravagant harmonies and the stark contrasts of the dynamics in particular - from the softest pianissimo to the extreme fortissimo - certainly whet one's appetite. Don't worry - Spain has a lot to offer! The next movement, El Corpus en Sevilla transports us to Andalusia where a solemn procession is taking place to celebrate the feast of Corpus Christi. This is followed by a sparkling Triana in which the various complex and brilliant rhythms of the national dances Almería, RondeĄa and Fandango are ingeniously combined. And the two movements El puerto and El Albaicín are no less exciting: the first presents a rich potpourri of types of Spanish songs, while the second - held in the minor key - conjures up a picture of Granada's gypsy quarter. Turina's Danzas fantásticas are noted for their sumptuous orchestration and marked rhythms. A better choice to round off this first-class recording, dedicated to Spanish tradition, is almost impossible to imagine.." Recording: Mai 1960 at Victoria Hall, Geneva by Roy Wallace / Production: James Walker." Albéniz: "Iberia" / Turina: Danzas fantásticas - Orchestre de la Suisse Romande conducted by Ernest Ansermet." standard sleeve

ANSERMET, ERNEST
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RAVEL - BOLÉRO, LA VALSE / HONEGGER - PACIFIC 231 (180 GRAM)
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12/13/2017
CLASSICAL: Among the innumerable recordings of Maurice Ravel's Boléro, the present one made by DECCA with the Orchestre de la Suisse Romande under Ernest Ansermet is of particular note. The impressive mounting crescendo over an ostinato bass, leading through the work from the very first bar right up to the last note, goes hand in hand with ever increasing intensity and excitement and hardly permits the listener to draw a breath. As in the Boléro, Ravel's La Valse, a choreographed poem for orchestra composed in 1920, is based on a single rhythmic idea, the Viennese waltz, which lends the work increasing impetus throughout the course of the music. Although Arthur Honegger's Pacific 231, composed in 1923 and dedicated to Ernest Ansermet, is more modern and has a more complex structure, here too a great arc of tension determines the progress of the music until shortly before the end. The orchestra accelerates in tempo and then decelerates towards the end thus evoking the sound of a locomotive: the Pacific 231 namely. The great success of the first performance of Paul Dukas's L'Apprenti sorcier (The Sorcerer's Apprentice) in 1897, a scherzo composed in 1895 and based on a ballad by Goethe, certainly comes as no surprise when one listens to this recording by the OSR under Ansermet. The composition is filled with a wealth of surprising moments which are presented here with exactitude and subtlety in even the tiniest detail.

ANSERMET, ERNEST
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BORODIN - SYMPHONIES NOS. 2 & 3 (180 GRAM)
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9/6/2013
CLASSICAL: Anyone believing in the old adage that science and the fine arts do not mix must rethink his ideas when he becomes acquainted with Alexandr Borodin's biography and his music. The Russian professor of chemistry constantly stole time from his lectures in order to compose; it was musical elements and formulas rather than chemical ones that occupied him. Without a doubt, the Second Symphony in B minor best reflects Russian feeling and temperament. Its rather harsh and mechanical theme is contrasted first by a lively little song and later by a conciliatory second subject. Cheerful and soothing melodies are heard in ever new combinations until the main theme returns once again and the movement is brought to a powerful close. The Scherzo, with its throbbing horns, march rhythms and thrilling woodwinds, is equally electrifying. The contemplative Andante is followed by a highly explosive Finale based on two Russian dance melodies which are widely varied during the course of the music. Both old and new friends of Russian symphonic music are highly recommended to experiment in their own "sitting-room laboratories" with this musically and chemically pure vinyl pressing.." Recording: October / November 1954 at Victoria Hall, Geneva by Roy Wallace / Production: James Walker." Borodin: Symphonies Nos. 2 & 3, Overture from "Prince Igor" - Orchestre de la Suisse Romande conducted by Ernest Ansermet." standard sleeve

ANSERMET, ERNEST
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TCHAIKOVSKY - SWAN LAKE (180 GRAM)
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9/6/2013
CLASSICAL: (2-LP set) Here is a true delight for all ballet fans and music-lovers. This recording of what is probably Tchaikovsky's most popular ballet, Swan Lake, by Ernest Ansermet and his orchestra in a masterly performance is now available as a new pressing in vinyl. The Russian composer's first ballet is offered here on a double LP and although not a complete recording, this compilation (with a minimum of cuts) certainly comprises the most beautiful and expressive scenes, losing nothing in the process."Ballet specialist" Ansermet and his wonderfully balanced Orchestre de la Suisse Romande offer here a recording which you'll want to hear again and again for it captures both the tragic moments of the fairy tale and the festive dance scenes. The precise winds in, for example No. 4, provide a marked contrast to the lively and exciting tutti (No. 5), while the gentle woodwinds blend charmingly with the dreamlike cantilena of the strings (No. 11). The various characteristics of the festive national dances (Polkas, Mazurkas, Hungarian Dance etc.) are performed with temperament, verve and rhythm, but it is the waltzes with their sweet dreaminess which invite the listener most of all to put on their dancing shoes and join in the dance.." Recording: October/November 1958 at Victoria Hall, Geneva by Roy Wallace / Production: James Walker." Tchaikovsky: "Swan Lake" - Orchestre de la Suisse Romande conducted by Ernest Ansermet." gatefold sleeve, booklet

ANSERMET, ERNEST
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PROKOFIEV - CLASSICAL SYMPHONY (180 GRAM)
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9/6/2013
CLASSICAL: Thankfully musical genres have been spared from being described with new buzz words such as 'Kleinkunst' which could be translated as 'Small Arts'. But music in small forms - maybe set down on just a few pages of manuscript paper - certainly exists. Prokofiev's miniature, the "Symphonie classique", combines several superlatives as regards both its musical notes and form: it is only 15 minutes long, contains a wealth of melodic ideas, and is the most performed of all Prokofiev's symphonies. This four-movement composition employs traditional forms such as the sonata form in the outer movements and the pre-Classical dances menuet and gavotte. The work's carefree esprit, serenade-like humour, and courtly elegance is delightful throughout and culminates in a high-spirited 'sturm und drang' Finale. On the B side is Glinka's "Kamarinskaya" Fantasia, only eight minutes long but captivating with its extremely closely-knit compositional style, and his Overture to "A Life for the Tsar" - a showpiece whose leitmotifs are truly forward-looking. Alongside these classical-romantic musical gems, Borodin's "In The Steppes of Central Asia" acts as an ideal programmatic amalgamation of the Orient and the Occident, and fits perfectly into this choice of repertoire.." Recording: February and March 1961 at Victoria Hall, Geneva (Switzerland), by Roy Wallace Production: Michael Bremner." Sergei Prokofiev: "Symphonie classique" / Mikhail Glinka: "Kamarinskaya" Fantasia, Overture from "A Life For The Czar" / Alexander Borodin: "In The Steppes Of Central Asia" - Orchestre de la Suisse Romande conducted Ernest Ansermet." standard sleeve

ANSERMET, ERNEST
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RAVEL - SHÉHÉRAZADE / BERLIOZ: LES NUITS D'ÉTÉ (180 GRAM)
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9/6/2013
CLASSICAL: At the time when Ravel set down "Shéhérazade", and although he had already composed such works as "Pavane pour une Infante defunte" and "Jeux d'eau", - regarded today as excellent - the young composer was still struggling for recognition. Five times he tried to win the prestigious "Prix de Rome", France's highest musical award, but barely achieved more than limited acclaim. Ravel's provocative assertion that he didn't follow any particular musical direction, but was an anarchist is reflected in his free, wonderfully interwoven composition "Shéhérazade". A touch of the Orient is entwined with late-romantic harmony and an impressionistic, modern brilliance, whose depth calls for and merits repeated listening. Ravel shares the lot of a misunderstood genius with Hector Berlioz. Written in 1832, his cycle "Les Nuits d'Eté", with its pulsating and arietta-like but also morbid and ghostly songs, provide a wonderful example of a composition from the French Romantic era. The present superb performance was highly acclaimed by producer and author G. A. Eckle, who stated »Régine Crespin is the embodiment of quality when it comes to French repertoire in her category«.." Recording: September 1963 at Victoria Hall, Geneva (Switzerland), by James Lock Production: Michael Bremner." Maurice Ravel: "Shéhérazade" / Hector Berlioz: "Les Nuits d'Eté" - Régine Crespin and the Orchestre de la Suisse Romande conducted by Ernest Ansermet." standard sleeve, insert

ANDERSON, ERNESTINE
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NEVER MAKE YOUR MOVE TOO SOON
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SA: $25.98 (US) - ($23.38 with *discount) GROOVE NOTE
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7/19/2005
VOCALS - JAZZ & POP: (SACD-HYBRID) One of the hidden gems in the great Concord catalog, this brilliant vocal session from the soulful Ernestine Anderson, "Never Make Your Move Too Soon" features Monty Alexander on piano and the legendary Ray Brown on bass. It's a wonderful collection of vocal classics including the title track, and swinging versions of classics like "What A Difference A Day Made," "My Shining Hour," "Poor Butterly" and several others.


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