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Artist Search: ambiances et faunes naturelles
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ArtistTitleFormat LabelDate

SINNETT, JAE
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LISTEN
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(Stock on hand: 4)
CD: $16.98 (US) - ($15.28 with *discount) HEART
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3/21/1997
JAZZ: 6 originals & 3 standards, feat. Cyrus Chestnut-pno, Jesse Davis/Billy Pierce-sax, Clarence Seay-bss, John Dearth-tpt, Allen Farnham-pno, Kiyoshi Kitagawa-bss

SINNETT, JAE
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THE BETTER HALF
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(Stock on hand: 3)
CD: $16.98 (US) - ($15.28 with *discount) HEART
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4/6/1999
JAZZ: features sax phenomenon & Concord recording artist Chris Potter, as well as pianist Allen Farnham

HALL QUARTET, DOUG
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JIHI
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(Stock on hand: 12)
CD: $16.98 (US) - ($15.28 with *discount) HEART
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1/22/2002
JAZZ: Pianist Doug Hall gives a lush, fluid & profoundly detailed approach to his beautiful & dynamic compositions. As conveyed through the brightness & exquisiteness of his notes, you sense inner joy channeling through him. Featuring bassist John Hebert, drummer Bruce Hall & saxophonist Adam Kolker, "Jihi" was recorded at The Studio in New York City & engineered by the demiurgic & astoundingly prolific Jim Anderson.

SEEGER, PETE
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IN PRAGUE, 1964
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(Stock on hand: 1)
CD: $29.98 (US) - ($26.98 with *discount) FLYRIGHT
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6/22/2001
FOLK/BLUEGRASS: 2-CD set contains the complete recordings made by folk legend Pete Seeger during a 1964 tour. The first CD is the entire March concert, and the second CD contains recordings made the following day at Radio Karlin - in the middle of the Cold War! Pete, solo, sings & plays all the instruments on this genuine tour de force, rounded off by his reminiscenes in word & some sound, made in 2001 with his full cooperation.

BARRETO, DON
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VOLUME 2 1932-36
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(Stock on hand: 3)
CD: $17.98 (US) - ($16.18 with *discount) HARLEQUIN
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10/1/1992
INTERNATIONAL: Cuban guitarist's band w. clarinetist/flautist Filiberto Rico

RIMAC, CIRO ANACAONA, SEPTETO
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SEPTETO ANACAONA(1937) & CIRO RIMAC(1936-1937)
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(Stock on hand: 1)
CD: $17.98 (US) - ($16.18 with *discount) HARLEQUIN
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3/1/1995
INTERNATIONAL: instrumental in the introduction of Latin-American music onto the vaudeville circuit in the USA

BARRETO, DON
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DON MARINO BARRETO
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(Stock on hand: 1)
CD: $17.98 (US) - ($16.18 with *discount) HARLEQUIN
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12/25/1999
INTERNATIONAL: Cuban vocalist/pianist w. orchestra from 1939-43

SEXTETO HABANERO
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SEXTETO HABANERO, 1926-1931
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(Stock on hand: 1)
CD: $17.98 (US) - ($16.18 with *discount) HARLEQUIN
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9/15/1995
INTERNATIONAL: over an hour of the earliest titles by one of Cuba's finest sextetos

CUARTETO CANEY
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1936-1939
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(Stock on hand: 2)
CD: $17.98 (US) - ($16.18 with *discount) HARLEQUIN
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12/25/1999
INTERNATIONAL: 21 rare tracks by popular Cuban cuarteto w. vocalists Panchito Riset, Alfredito Valdes, Johnny Lopez +

CUARTETO MACHIN
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1934-35
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(Stock on hand: 1)
CD: $17.98 (US) - ($16.18 with *discount) HARLEQUIN
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12/25/1999
INTERNATIONAL: 20 tracks from Cuban vocalist from his peak period, feat. vocalists Antonio Machin & Daniel Sanchez, Raul Montes de Oca & Felix Ganuza

AMMONS, ALBERT JOHNSON, PETE
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BOOGIE-WOOGIE BOYS, 1938-1944
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(Stock on hand: 6)
CD: $18.98 (US) - ($17.08 with *discount) MAGPIE
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4/10/1994
BLUES: w. Meade Lux Lewis, some of these pianists' finest tracks, from Carnegie Hall concerts & rare MacGregor transcription discs, remastered from original discs & acetates

WEST AFRICAN INSTRUMENTAL QUINTET
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1929
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(Stock on hand: 1)
CD: $17.98 (US) - ($16.18 with *discount) HERITAGE
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10/1/1992
INTERNATIONAL: 1st recordings made by English Zonophone

FLYING CLOUDS OF DETROIT
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FLYING CLOUDS OF DETROIT 1942-50
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(Stock on hand: 7)
CD: $17.98 (US) - ($16.18 with *discount) HERITAGE
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6/25/2002
GOSPEL: 27 track collection features all of the early sides by this great gospel group. Also included are 11 tracks from 1942 airshots. The booklet was annotated by gospel specialist Opal Louis Nations and contains superb photos and an interview with the sole surviving group member.

ATKINS, CHET
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EARLY CHET ATKINS
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(Stock on hand: 6)
CD: $17.98 (US) - ($16.18 with *discount) COUNTRY ROUTES
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8/17/2004
COUNTRY & WESTERN: 32 track collection contains 20 tracks from 1951 and 12 tracks from the mid-1950s, all taken from transcription discs. Half of them are complete guitar solos, two are fiddle solos and the rest of the tracks feature backing vocals by the Carter Sisters (June, Anita and Helen). Stunning guitar by the man who was to become Mr. Nashville himself.

ATKINS, CHET
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CARTER SISTERS AND MOTHER MAYBELLE WITH CHET ATKINS
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(Stock on hand: 3)
CD: $17.98 (US) - ($16.18 with *discount) COUNTRY ROUTES
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7/19/2005
COUNTRY & WESTERN: Here are rare, previously unreissued 1950 tracks from mint tests of transcription discs for mid-West radio. Chet Atkins plays guitar (or fiddle - 3 cuts) on all but one of 39 tracks (Maybelle plays on that one!). 8 are solos by Chet, and he sings on 6.

KALLET, CINDY
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WORKING ON WINGS TO FLY
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(Stock on hand: 3)
CD: $17.98 (US) - ($16.18 with *discount) FOLK-LEGACY
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12/25/1999
FOLK/BLUEGRASS: 16 original compositions by folk singer/guitarist.

COTTEN, ELIZABETH
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IN CONCERT 1969, 1978, 1980
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(Stock on hand: 1)
DV: $24.98 (US) - ($22.48 with *discount) VESTAPOL PRODUCTIONS
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5/21/2010
BLUES: From 1969: Freight Train, What a Friend We Have In Jesus, Ruben, Vestapol, Washington Blues, A Jig and Spanish Flang Dang. From 1978: Freight Train, Wilson Rag, Georgia Buck, Rattler, Spanish Flang Dang, Judy's Got a Rambling Mind, Mama, Your Son's Done Gone, Wreck of the Old 97, Jesus Is Tenderly Calling Today, Vestapol, Buck Dance, Oh, Babe, It Ain't No Lie, Ontario Blues, Mama, Where's the Baby and others. From 1980: Graduation March, Freight Train, Spanish Flang Dang and Shake Sugaree. NTSC all region. 103 minutes.

ATKINS, CHET
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CHET ATKINS - RARE PERFORMANCES 1955-1975
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(Stock on hand: 37)
DV: $24.98 (US) - ($22.48 with *discount) VESTAPOL PRODUCTIONS
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12/5/2014
COUNTRY & WESTERN: Few names are as synonymous with the guitar as that of Chet Atkins. He set the standard by which generations of country fingerstyle guitarists have benn measured. But his influence transcends regions and genres. The sound of 20th century guitar would not be the same without the impact of this gentle genius who was at the height of his influence and creative powers when the performances presented in this video were captured. The much travelled "Mr. Guitar" is seen playing in this video collection everywhere from Nashville to Norway. His signature Gretsch Tennesseean guitar, on which Chet made exquisitely effective use of its Bigsby vibrato bar, is heard in all its sweet, reverb-laden glory on many of these clips. But Chet, whose versitility embraces all styles of guitar, is also seen playing a classical model and a Martin dreadnaught. No matter what he plays, the sound produced becomes a distinct auditory fingerprint of the man known in Nashville as C.G.P. (Certified Guitar Player). The relaxed mastery evident in this video explains why Chet was honored in 1993 with a Lifetime Achievement Award Grammy: "For his peerless fingerstyle guitar technique, his extensive creative legacy documented on more than one hundred albums, and his influential work on both sides of the recording console as a primary architect of the Nashville sound." NTSC all region, 58 minutes.

ATKINS, CHET
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CHET ATKINS - RARE PERFORMANCES 1976-1995
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(Stock on hand: 34)
DV: $24.98 (US) - ($22.48 with *discount) VESTAPOL PRODUCTIONS
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12/5/2014
FOLK/BLUEGRASS: For more than 40 years, the name of Chet Atkins has been associated with the finest Nashville-based fingerstyle guitar sounds. Even those records he did not play on showed his influence. Yet his own artistic growth never ceased, as is evident in this second volume of Vestapol's chronological documentation of Chet's career. We see this gentle genius exploring the music of Bob Dylan (Don't Think Twice It's All Right), marching band composer John Phillip Sousa (Stars and Stripes Forever), pop standards (Lover Come Back) and progressive funk (Knuckle Buster). Chet's tonal palette draws varied colors from electric guitars, nylon-strung classics, and even a resophonic guitar. Foremost in this collection are his traditional strengths as a tasteful soloist, but we also see him swap licks with the fiery Jerry Reed and Larry Carlton. The overall impression made by these performances is one of a master quietly demonstrating his continued primacy in his field and doing so with a calm assurance unabated by needless grandstanding. NTSC all region, 71 minutes.

ATKINS, CHET & JERRY REED
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CHET ATKINS & JERRY REED IN CONCERT
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(Stock on hand: 22)
DV: $24.98 (US) - ($22.48 with *discount) VESTAPOL PRODUCTIONS
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12/5/2014
COUNTRY & WESTERN: Chet Atkins and Jerry Reed in concert together. What a treat!! These two masters of the guitar complemented each other so well that it is hard to imagine one without the other! Chet Atkins, the subdued quiet picker who thrilled at performing the fast, frantic instrumentals written by his energetic alter ego, Jerry Reed. Their careers intertwined for most of forty years. Chet, about 12 years the senior, had perfected his style by the time a young Jerry Reed was being inspired by Chet's records. After getting a start in the music business in his native Georgia, Jerry moved to Nashville in the early 1960's and quickly found work as a session guitarist and songwriter. He attracted the attention of Chet, who by then was an established record producer for RCA, and a prolific recording artist in his own right. Chet "Mr. Guitar" Atkins recognized Jerry's unique ability to write and perform intricate fingerstyle guitar instrumentals and quickly started recording Jerry's tunes on his own albums. By 1967 Chet had signed Jerry Reed to RCA, and with Chet as producer, Jerry turned out hits like Guitar Man, The Claw and Amos Moses. Jerry's LP, "Explores Guitar Country" produced by Chet, set the stage for their collaboration on two LP's in the 1970's, "Me and Jerry" (Grammy award winner), and "Me and Chet" from which came great tunes like "Jerry's Breakdown" and their definitive version of "Cannonball Rag." Chet continued to feature Reed instrumentals on his albums, and Jerry continued to record and tour while finding time to act in such diverse films as "Smokey and the Bandit" and "The Waterboy." NTSC all region, 79 minutes.


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