Globe Records - Artist Search: carter, sara

Artist	Title	Format	Label	Date


CARTER, BENNY	SOMEBODY LOVES ME (Stock on hand: 8)	cassette: $10.98 (US) - ($9.88 with *discount)	MAGIC	12/25/1999
JAZZ: orch. tracks w. Gerald Wilson, Al Grey, Max Roach+ 1945

CARTER, CLARENCE	SLIP AWAY - THE ULTIMATE CLARENCE CARTER 1966-1971 (LIMITED EDITION 180 GRAM VINYL) (Stock on hand: 15)	LP: $49.98 (US) - ($44.98 with *discount)	KENT - UK	4/19/2014
SOUL: (2-LP set) "Slip Away" is a Record Store Day exclusive, Kent is proud to present a specially compiled, double vinyl overview of this artist's early years at Fame Records - a 'must have' compilation that serves as both a career overview and the ultimate "Best Of" collection. "Slip Away" brings you every major Billboard chart hits, Carter's most significant B-sides and all the killer album cuts which did not originally make it to 45. 24 tracks in total, all cut nice and loud on premium quality 180g vinyl. Hardly any of these have been available on vinyl in over 30 years - and nine have yet to make their Kent CD debut, which only adds to the desirability of this collection. Eye-catching double gatefold sleeve features previously unpublished photos, label and album sleeve shots and a newly written sleeve note. Limited edition of 1,500.

CARTER, CLARENCE	I FOUND WHAT I WANTED - UNISSUED AND RARE FAME MASTERS (Stock on hand: 10)	7: $21.98 (US) - ($19.78 with *discount)	KENT - UK	5/4/2012
SOUL: "I Found What I Wanted' brings together four finished masters from Clarence's 1971 sessions at Fame, recorded when he and his label were looking for a follow up hit to his global chart smash 'Patches'. Incredibly, three of them have gone unreleased for more than 40 years. All of them will have great appeal for fans of Southern soul.

CARTER, CLARENCE	THE FAME SINGLES VOLUME 1 1966-70 (Stock on hand: 3)	CD: $19.98 (US) - ($17.98 with *discount)	KENT - UK	6/8/2012
SOUL: The next step of our adventure through the Fame Records catalogue focuses on the singles of Clarence Carter, Fame's biggest star. His 45s from this period were issued on Fame, Atlantic and United Artists. For the first time ever we bring together every A and B-side he recorded for Rick Hall. The first 22 track volume covers the singles released between 1966-1970, including the million-selling 'Slip Away', and five other top ten R&B hits including 'Too Weak To Fight' and 'Snatching It Back'. It also includes classic southern R&B dancers 'Looking For A Fox', 'Tell Daddy' and 'Thread The Needle'.

CARTER, CLARENCE	THE FAME SINGLES VOLUME 2 1970-73 (Stock on hand: 17)	CD: $19.98 (US) - ($17.98 with *discount)	KENT - UK	11/8/2013
SOUL: Clarence Carter was Fame Records' biggest act with three million-selling singles and 12 top twenty hits in the R&B charts. "The Fame Singles Volume 2 1970-73" completes our look at this classic run of southern soul artistry after the success of our first volume. The compilation includes Clarence's biggest-selling international hit 'Patches' and nine other Billboard R&B hits, several non-charting 45s, and, for the first time on CD, the singles issued on Fame directly, rather than through Atlantic. The Fame Gang backs Clarence on each track, recorded at the FAME studios in Muscle Shoals, produced by Rick Hall. Hall has given Kent Records full access to his tape vault, so all the tracks are taken from the master tapes for the first time.

CARTER, DEAN	CALL OF THE WILD (Stock on hand: 1)	CD: $19.98 (US) - ($17.98 with *discount)	BIG BEAT	12/6/2002
OLDIES: These 30 incredible 1960s recordings are the missing link between rockabilly and garage punk. Of the handful of singles Carter released in the '60s, several such as "Jailhouse Rock" and "Mary Sue" have become prized collectors items amongst aficionados of over-the-top rock. Carter's style defies stylistic pigeonholing, coming on like a tortured Gene Vincent backed by the Seeds, or like Roky Erickson if he sported a quiff. A true punk Elvis. This first time anthology features mostly unissued material from sessions Carter cut with his collaborators Arlie Miller and Jerry Merritt in Illinois and Washington in the mid-1960s. The super-compressed, Joe Meek-like garage production complements the wild material perfectly.

BIG TIME SARAH	LAY IT ON 'EM GIRLS (Stock on hand: 6)	CD: $11.98 (US) - ($10.78 with *discount)	DELMARK	12/25/1999
BLUES: featuring 4 tunes written by Willie Dixon for this mainstay of the Chicago blues scene

BIG TIME SARAH	BLUES IN THE YEAR ONE-D-ONE (Stock on hand: 4)	CD: $15.98 (US) - ($14.38 with *discount)	DELMARK	12/25/1999
BLUES: Sarah & her BTS Express run seamlessly through their set of mostly uptempo, funky & contemporary blues.

BIG TIME SARAH	A MILLION OF YOU (Stock on hand: 4)	CD: $15.98 (US) - ($14.38 with *discount)	DELMARK	6/1/2001
BLUES: During her 25 years as a professional blues singer, Big Time Sarah has built a solid reputation worldwide with regular tours in the U.S. and abroad. She started sitting in during the late 1960s with Louis & Dave Myers, Buddy Guy, Junior Wells, and Magic Slim. This album features five new songs Sarah collaborated on with songwriter William Bolden & arranger/guitarist Rico McFarland. Although more than capable of wringing the last drop of soul out of a slow burner, most of Sarah's music is about having a big, good time, and she delivers it with gusto.

LOV, SARA	SEASONED EYES WERE BEAMING (Stock on hand: 2)	CD: $15.98 (US) - ($14.38 with *discount)	SPLINTER	11/4/2011
ALTERNATIVE ROCK/PUNK:

CARTER, ANITA	RING OF FIRE (Stock on hand: 3)	CD: $27.98 (US) - ($25.18 with *discount)	BEAR FAMILY	12/25/1999
COUNTRY & WESTERN: 1960's recordings, incl. 20 pg. booklet, 26 tracks

CARTER, SARA & MAYBELLE	SARA & MAYBELLE CARTER (Stock on hand: 2)	CD: $27.98 (US) - ($25.18 with *discount)	BEAR FAMILY	12/25/1999
OLDIES: 24 orig. Columbia recordings from 1966 w. 20 pg. booklet

CARTER, WILF	MONTANA SLIM: THE DYNAMITE TRAIL (Stock on hand: 3)	CD: $27.98 (US) - ($25.18 with *discount)	BEAR FAMILY	12/25/1999
COUNTRY & WESTERN: 30 trks w/ 16 pg. booklet from Decca years 1954-58

CARTER, WILF MONTANA SLIM	A PRAIRIE LEGEND (Stock on hand: 1)	CX: $143.98 (US) - ($129.58 with *discount)	BEAR FAMILY	12/25/1999
COUNTRY & WESTERN: popular Canadian country western folk singer, recordings from 1940-1950, 4 CDs w. booklet

CARTER, WILF	COWBOY SONGS (Stock on hand: 1)	CX: $254.98 (US) - ($229.48 with *discount)	BEAR FAMILY	12/25/1999
COUNTRY & WESTERN: 8-CD box set w. book from "Montana Slim", the great cowboy yodeler & yarn-spinner; included here are "The Hobo's Yodel", "My Swiss Moonlight Lullaby", "Awaiting The Chair" + many others

CARTER, JANETTE	DELIVERANCE WILL COME (Stock on hand: 1)	CD: $27.98 (US) - ($25.18 with *discount)	BEAR FAMILY	6/4/2004
COUNTRY & WESTERN: Every Saturday night for a quarter-century, Janette Carter has taken the stage at the Carter Family Fold in Hiltons, Virginia, makinggood the promise she made to her father, Carter Family patriarch A.P. Carter, to keep his music alive. Janette sings in the forcefuland soulful Appalachian style pioneered by her mother, Sara Carter. The core of the repertoire on this 78 minute CD is Carter Family songs, but she also includes a few that she wrote herself, as well as several songs that the Carter Family performed, but didn't record. The instrumentation is spare and to-the-point, and the focus is on Janette's lovely autoharp playing.

CARTER, JOE & JANETTE	CARTER FAMILY FAVORITES (Stock on hand: 2)	CD: $27.98 (US) - ($25.18 with *discount)	BEAR FAMILY	10/24/2003
COUNTRY & WESTERN: In celebration of Janette Carter's 80th birthday on July 2, 2003, Bear Family and County Records make available once more Janette and Joe's 1966 album, "Joe & Janette Sing Carter Family Favorites." Just before Janette and Joe's father, A.P. Carter, died in Nov. 1960, they promised him they would keep the music alive, and this album was one of the first steps on their journey. It has the timeless quality of the very best Carter Family recordings. That the original songs recorded by the Carter Family survive at all is due to A.P. Carter's infallible ear, and the fact that they're still heard and played today is due in great measure to the tireless effort of Janette Carter.

CARTER, ANITA	APPALACHIAN ANGEL - HER RECORDINGS 1950-72 & 1996 (Stock on hand: 1)	CX: $279.98 (US) - ($251.98 with *discount)	BEAR FAMILY	4/23/2004
COUNTRY & WESTERN: (7-CD box set with hardcover book) All of Anita Carter's recordings from 1950-72 - including all the unissued sides - are on this 173 track set. Also included is the first CD reissue of the entire repertoire of Nita, Rita and Ruby from 1955-57, as well as Anita's final recordings from 1996 - a previously unreleased session with her sister Helen and guitarist Jerry Hensley, recorded in Bristol, close to the site of the landmark 1927 sessions with the original Carter family. This box contains a wealth of previously unseen photos from Anita's daughter Lorrie, her friend Vicky Langdon, and memorabilia from Anita's career. Also featured are new interviews and a detailed biography by Hank Davis, examining both her personal life and career.

VAUGHAN, SARAH	SASSY (180 GRAM VINYL) (Stock on hand: 2)	LP: $40.98 (US) - ($36.88 with *discount)	SPEAKERS CORNER RECORDS	9/6/2013
VOCALS - JAZZ & POP: Ella Fitzgerald and Billy Holiday are rightly considered today as two of the most influential jazz singers - and the third in this famous line-up is Sarah Lois Vaughan (*1924), fondly known as "Sassy". Right at the beginning of her career, Sassy sang (and also played the piano!) in the orchestras led by Earl Hines and Billy Eckstein, but in 1945 she started on a career as a soloist in the main. Her recordings of predominantly slow, popular ballads - made over the five years (1949-1954) that she recorded for Columbia Records - resulted in her breakthrough. Sarah Vaughan had reached stardom. During her Mercury years (1954-1959), her fame grew and she had well and truly "arrived". But she was a woman with two souls: on the one hand she worked with such full-blooded jazz musicians as Clifford Brown and Cannonball Adderley, and on the other hand she continued to record highly successful albums with "easy-listening" orchestras, such as Sassy, recorded in 1956 with Hal Mooney and his orchestra. Easy listening, however, certainly is not to be put on a par with shallowness, as is well proved by Mooney's laid-back, tasteful arrangements which allow Sarah Vaughan once more to demonstrate just how capable she is of expressing the contrasting moods and varying atmospheres of each and every song. The range of her now fully mature voice, with its truly instrumental flexibility and versatility, will never cease to amaze.." Recording: April 1956." "Sassy" - Sarah Vaughan (voc) & Hal Mooney and his Orchestra." standard sleeve

VAUGHAN, SARAH	SARAH VAUGHAN (180 GRAM VINYL) (Stock on hand: 3)	LP: $40.98 (US) - ($36.88 with *discount)	SPEAKERS CORNER RECORDS	9/6/2013
VOCALS - JAZZ & POP: This studio recording from 1954, a self-titled album recorded for EmArcy, was later reissued as Sarah Vaughan With Clifford Brown to denote the involvement of one of the top trumpeters of the day. Like a gifted actress, Sarah Vaughan always made the lyrics come alive, whether it be on poignant ballads or buoyant pop novelties. She combined exquisite elegance, impressive range, and an effortless delivery. Vaughan 'played' her voice with a musical creativity, as if it were a 'real' instrument, and on this album, she is matched with musicians of equally high quality. The band includes Brown on trumpet, Herbie Mann on flute, and Paul Quinichette on tenor, each of whom have plenty of space for solos (most of the songs are close to the five-minute mark). Vocally, the singer is arguably at the zenith of her career here, pausing and lingering over notes on the standards "April In Paris", "Jim", and "Lullaby Of Birdland". As touching as she is, however, Brown almost equals her with his solos, displaying his incredible bop virtuosity in a restrained setting without sacrificing either the simple feeling of his notes or the extraordinary flair of his choices. Quinichette's solos are also magnificent, his feathery tone nearly a perfect match for Vaughan's voice. Ironically, neither Brown, Quinichette nor Mann appear on the album's highlight, "Embraceable You", which Vaughan performs with close accompaniment from the rhythm section. She expertly captured the mood of any tune, and on this album, one of her jazziest, the soloists seem keenly aware of her presence.In whichever incarnation it's reissued, Sarah Vaughan with Clifford Brown is one of the most important jazz-meets-vocal sessions ever recorded.." Recording: December 1954." Sarah Vaughan (voc); Clifford Brown (tr); Paul Quinichette (ts); Herbie Mann (fl), Jimmy Jones (p); Joe Benjamin (b); Roy Haynes (dr)." standard sleeve

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